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But this is an atypical world, and so we get an atypical follow-up. Such films usually don’t result in a sequel. The 2013 prequel, written and directed by Jeethu Joseph, is the kind of thriller where the real story - the act of concealing the prime evidence and crime - is hidden in the final scene. Drishyam makes you believe that it is about a man trying to save his family, but scratch the surface, and you’ll find a different nugget: It’s about a cinephile’s relationship with a story. He knows that stories can betray - that sometimes they’re not even loyal to the storyteller(s) - so he relied on two versions: one was an act of self-preservation, the other a knockout punch. George had one too, but he also had something else: an alternate end.
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An owner of a cable TV business, George, a committed cinephile, learnt from the best filmmakers: how to tell a story, convince the audiences, deceive them, and - when the story’s seemingly over - deceive them again.Ī perfect crime demands a perfect alibi. George may not have gone to school, but he went to the movies. People consider him unsophisticated and naïve - the kind of simpleton who elicits pity. The series’ hero, Georgekutty (Mohanlal), is a school dropout. A singing gig in Bangalore goes horribly wrong, as Aadhi gets involved in the death of a don's son, and now he is on the run to save his skin.Cinema is the beating heart and the bleeding soul of the Drishyam universe. Pranav plays Aadhi, a well-to-do youngster with singing aspirations. There was immense hype around his debut, which worked in the favour of the film, and Aadhi turned out to be a hit at the box office. AadhiĪadhi was a star-kid debut vehicle for Mohanlal's son, Pranav Mohanlal. The Family Man: All You Need to Know About Malayalam Actor Neeraj Madhav Who Impressed You As Moosa Rahman in Manoj Bajpayee’s Web-Series.
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But the film was not bad per se, with some intriguing twists and turns, and fine performances from Prithviraj, Balachandra Menon and Neeraj Madhav, who Bollywood knows as the terrorist Moosa from Amazon Prime series The Family Man. Unlike the other films in the list, Oozham wasn't very well-received and performed averagely at the box office, mostly because it was pitted against the expectations raised from Drishyam. The Body Trailer: Emraan Hashmi and Rishi Kapoor's Thriller Looks Edgy and Intriguing (Watch Video).

And now he does something similar for his Bollywood debut too. Returning to the original, Drishyam is not the only thriller that Jeethu had made, as the director made his debut in Malayalam cinema with the same genre.
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Though it was not as acclaimed as the original, the movie was a hit at the box office. Interestingly, Jeethu's biggest hit has also been remade in Hindi with the same name though with a different director. The Hindi remake of Drishyam was directed by Nishikant Kamat, and had Ajay Devgn, Shriya Saran and Tabu in the lead. The Body: Emraan Hashmi and Rishi Kapoor's thriller to Clash with Rani Mukerji's Mardaani 2 on December 13. The trailer that came out on November 15 gives the impression that it would be a faithful remake. The Body stars Rishi Kapoor and Emraan Hashmi in the lead, along with Sobhita Dhulipala and South actress Vedhika in important roles. He has directed the remake of the Spanish film, El Cuerpo, that was made by Oriol Paulo. Another film of Paolo, The Invisible Guest, was earlier remade this year in Bollywood as Badla, starring Amitabh Bachchan, Taapsee Pannu and Amrita Singh. Jeethu Joseph, the Malayalam director responsible for giving Malayalam Cinema a cult classic in Drishyam, is making his Bollywood debut this year.
